Many guitarists long to be able to play blazing fast or “shred” guitar and we all know it’s not an easy task.  Not many beginner players (or even many advanced guitarists) can just sit down and play smoking fast lead lines that tear up the fretboard and sound impressive…at least not while keeping it clean, on time and in key.

If you’ve ever tried to play fast and just weren’t ready, it would have been very obvious right from the start as all of the notes would sound jumbled together and just sound like a horrid mess.

The question on your mind right now is most likely “well, then how do I get to play fast too?”  Have you ever heard the saying “you’ve got to walk before you can run”?  Well, like it or not that is true in this case as well but there are a couple little shortcuts you can take to make sure you get shredding sooner rather than later.

The first thing you’ll need is a metronome.  These come in many different styles but the easiest one to operate is the simple electronic one that has a small speaker built in whose speed or BPM (beats per minute) can be increased and decreased one BPM at a time.

Next you’ll take a super simple exercise like the standard 1234 warm up exercise where the 1234 represents playing the first, then second, then third and then forth note on each string starting with the 6th string and then moving onto the 5th, 4th, 3rd, 2nd and finally the first.

Now, rather than playing this exercise using all down strokes of the pick, you’ll want to incorporate alternate picking.  As you may recall, alternate picking is where you pick one note using a down stroke and then the next with an upstroke and then you simply alternate back and forth.  This is a very efficient picking method and is a must to master if you want to play fast.
Start with a slow metronome setting like 80 BPM or so and see how it feels and work your way up from there.

You should be picking a note every time the metronome ticks.  Do this perfectly and adhere strictly to the alternate picking…down-up-down-up-down-up etc. making sure to stay exactly in time and being careful to avoid playing sloppily.  When you’re comfortable that you can easily pick every note clearly and perfectly at that speed, write it in a notebook and increase the metronome BPM slightly. Keep repeating this process and before long, you’ll notice you’re ripping up the notes at a high rate of speed of 150 BPM or more!

Repeat the exact same exercise on any scales you may know as well as the 7 modes.  Clean, deliberate alternate picking is what will help you become a fast player.  It will sound impressive but keep in mind that there is a lot more to killer guitar solos than speed.

I’ll be covering that in greater depth in upcoming posts.

Until then, keep rocking!

Mike

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The fastest way to get all the chicks and impress your buddies at the same time is to sing while playing guitar.  It might seem impossible when you first try it but it’s a hugely valuable skill to have.  When starting a band, the singer is usually the most difficult player to find.  If you happen to both sing and play guitar, you’ll be more likely to get the gigs in bands as so many guitarists will have skipped learning to sing.

Start with a very simple song.  It can even be happy birthday.  Figure out the chord changes that best fit the song and play through it once or twice to really get the chord changes into your head.  Doing this not only develops your mind to memorize the changes but it also creates what is referred to as “muscle memory”.  Muscle memory is basically the muscles being trained to feel out each chord and how it feels in your hand so you can confidently change to the proper chords without having to look down at the neck.

Next you’ll want to learn the lyrics to the song and make sure you pay attention to the starts and stops and variations in the singers’ voice.  The first couple times you sing the song, you won’t be doing any guitar playing.  You’ll simply sing along and get the vocal part down as well as you can.  You want to go over the tune enough times so that your vocal inflections closely match those of the singer.

Now we get to put it all together.  While playing thru the chord changes, we need to shift the chords to our brains subconscious so that you can play the song without concentrating on it.  Next, just start singing at the appropriate part of the song and stumble through it.  Each time you try the tune, you will make less vocal or guitar mistakes and the song will begin to sound better and better.  It’s best to stick to one song until you can confidently play and sing through it.  When you can do it well enough to perform it front of a live audience, you’re ready to move on and tackle the next song.

You’ll have to stick with it to train your brain to share its resources between your hands for playing and your mouth for singing and soon you’ll be able to play more intricate guitar parts while singing as well as singing more interesting vocal lines while playing guitar.

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